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Michael Fanta, Emelie Sandström
December 5, 2018 — January 19, 2019


Emelie Sandström in Future Watch: Emerging Into View on C-Print



Michael Fanta, Emelie Sandström, exhibition view
1
Michael Fanta, Emelie Sandström, exhibition view
2
Michael Fanta, just a bruise, 2018, Watercolor on paper
3
Michael Fanta, fucked up and ready to die, 2018, Watercolor on paper
4
Michael Fanta, no sleep, 2018, Watercolor on paper
5
Emelie Sandström, Godhead, detail
6
Emelie Sandström, Godhead, 2017/2018, Bronze, glass, pewter
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Emelie Sandström, Godhead, detail
8
Emelie Sandström, Moral, 2018, Bronze, iron, pewter
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Emelie Sandström, Moral, detail
10
Emelie Sandström, Some of them have the face of dogs, 2018, Copper, glass, pewter
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Emelie Sandström, Some of them have the face of dogs, detail
12
Michael Fanta, Emelie Sandström, exhibition view
Michael Fanta, Emelie Sandström, exhibition view
Michael Fanta, Emelie Sandström, exhibition view
Michael Fanta, Emelie Sandström, exhibition view
Michael Fanta, just a bruise, 2018, Watercolor on paper
Michael Fanta, just a bruise, 2018, Watercolor on paper
Michael Fanta, fucked up and ready to die, 2018, Watercolor on paper
Michael Fanta, fucked up and ready to die, 2018, Watercolor on paper
Michael Fanta, no sleep, 2018, Watercolor on paper
Michael Fanta, no sleep, 2018, Watercolor on paper
Emelie Sandström, Godhead, detail
Emelie Sandström, Godhead, detail
Emelie Sandström, Godhead, 2017/2018, Bronze, glass, pewter
Emelie Sandström, Godhead, 2017/2018, Bronze, glass, pewter
Emelie Sandström, Godhead, detail
Emelie Sandström, Godhead, detail
Emelie Sandström, Moral, 2018, Bronze, iron, pewter
Emelie Sandström, Moral, 2018, Bronze, iron, pewter
Emelie Sandström, Moral, detail
Emelie Sandström, Moral, detail
Emelie Sandström, Some of them have the face of dogs, 2018, Copper, glass, pewter
Emelie Sandström, Some of them have the face of dogs, 2018, Copper, glass, pewter
Emelie Sandström, Some of them have the face of dogs, detail
Emelie Sandström, Some of them have the face of dogs, detail

Photography: Maximilian Anelli-Monti, courtesy the artists and Pina